The past few weekends have been jam-packed with music events in the Twin Cities. On May 31, I was able to catch some gypsy punk, dreamy boy-girl vocal pop, and some local “morbib pop” all in the same night.
Last Thursday it seemed as though every beautiful woman making indie rock was visiting Minneapolis. I was lucky enough to see both St. Vincent and Julie Doiron. If you’re unfamiliar with either or both of these musicians, I would suggest taking a listen.
While the previous link shows off Ms. Annie Clark’s musical talent, her stunning good looks are better exemplified here with photos from Thursday night’s show by local photographer Jon Behm:
But while I was thrilled to have seen these shows, I was disappointed to miss both Laura Gibson and Musée Mechanique at The Cedar. Just to rub it in, everyone who did make it to the show gave it a glowing review.
This weekend is shaping up to be music filled as well. From a sold-out performance by Iris Dement, to one of my favorite local groups The Orange Mighty Trio, The Cedar will be a hot spot
But of all the weekend’s festivities, I might be most excited to see PJ Harvey. Though I was just recently introduced to her music, I’ve quickly become a fan.
Howdy. New writer here. Not from around these parts; I am neither a Cedar staff member nor a private lake owner. My qualifications for being here are only two:
1) I am a lifelong music lover, and 2) I lost a bet with Main Figurehead.
The specifics of Qualification 2 are inconsequential. I was given two options for payment but was not about to be filmed as I was grocery shopping in a Snuggie. So here I am, Olivetti unsheathed. And lo, the 'e' key sticks. I'll try to limit its use.
No log cabin story, just one random bit of personal history: the song I have played most often in my lifetime is 'I Was Kaiser Bill's Batman' by Whistling Jack Smith. A word to the wise: do not play the following clip.
This record averaged perhaps five spins a day for the second half of 1967, until my dog chewed my 45 to bits on Christmas Eve. I haunted squalid record stores for nearly two decades before finding another. Now you can buy it from dozens of sellers on GEMM. Tell me: where's the fun in THAT?
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A couple of hours ago I was in a Starbucks ordering up a flamboyantly unnecessary venti iced white mocha, when on the box came The Headless Heroes' lovely cover of 'Blues Run the Game.' A moment's enjoyment gave way to two thoughts:
1) Starbucks had a real shot at being a music tastemaker. When they bought Hear Music they then owned a template: listening stations featuring expert-chosen albums, new and old, with editorial-based shelf talkers on spinner racks. Shop retrofits and existing company cachet would have made Starbucks a force in artist development. However, Wall Street thought otherwise and the rest, as they say...
2) 'Blues Run the Game' is a treasure, as is its writer, Jackson C. Frank. The song opens his lost classic eponymous album from 1965. He was an American expat in London at the time, a contemporary of Bert Jansch and Davy Graham. The album was produced by Paul Simon, who recorded a version of the song with Art Garfunkel at about the same time. It was also performed by Jansch, John Renbourn, Nick Drake, and Eddy Reader. If any of these artists are favorites of yours, know that they were all influenced by Mr. Frank, who deserves a look-see by the uninitiated:
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Just started the book 'Ripped' by Greg Kot. The author provides an overview of the past 10 years of music industry travails. If the Whistling Jack Smith debacle didn't get me fired, I'll return next Thursday to comment on the book and maybe about some music that doesn't trigger the geeze alarm. Cheers.
It can be difficult to walk that line when you want your music to convey a political message, but don't want to come off all know-it-all or preachy. Far too often, the music itself gets lost behind the message. To get psyched up for their show in a couple of weeks (Friday June 19) , I was listening to the Sierra Leone Refugee All-Stars' Living Like a Refugee the other day and marveling at how well they achieve that balance. The tunes are hummable and catchy, the message is delivered in a low key but upbeat way and you know these guys have totally walked the walk. Here's some background on their story if you haven't heard. I t would be fun to screen the documentary about the band here at the Cedar once we get our movie screen hung, wouldn't it? I like to image the music movie fests we may host someday...but that's the subject for another post.
Here's the trailer for their film.
While the politics really do matter, the tunes need to measure up and they do. Mostly reggae with a few South African-style Afro-pop numbers, the songs are simple and stripped down. Plus I love those old school backing vocals! Say, when did this come out? They have a collection of B-sides available now too.
Should be a good night on the Cedar's fine dance floor and I'll bet it'll leave you feeling like you can change the world for the better, and you know, what could be better than that?
And to continue that changing the world for the better, Rhiannon Giddens from the Carolina Chocolate Drops had A GIRL! Here's what they say.
Well, everyone, after an action packed weekend, the newest Droplet was born!
n May 30, 2009, at 9:47 in the morning, little Aoife (ee-fah) Armentha Laffan was born, to the tune of 7lbs, 10oz. She's gorgeous and thriving, and I'm doing well. She'll be along when we start touring again, so you just might meet her in person! (Mommy knit the hat..)
Although I have not yet heard the latest release from Samy ben Redfeb at Analog Africa, I'm just going to guess that Legends of Benin will make for some good summer listening. Released in Europe May 15, looks like we will be able to get our hands on it over here sometime in late June. I'll wait for the actual physical object, because his compilations always have wonderful thick booklets of liner notes, interviews and groovy old photos. He calls the new one "A collection of super rare and highly danceable masterpieces recorded between 1969 -1981 by four legendary composers from Benin: ANTOINE DOUGBÉ, EL REGO et Ses Commandos, HONORÉ AVOLONTO, and GNONNAS PEDRO & His DadjesBand.
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Check this out. A whole website just for Tuareg music. Tamasheq.net I suppose there is a whole website out there for anything you can imagine, but you know. Anyway, they have a special extra-bells-and -whistles edition of the live Terakaft release availabe for exclusive download. Here's a link for some audio samples.
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I'm sure we are all over many bands' MySpace pages, but look at the photo slide show on Rachel Unthank and the Winterset's page. Does that green room and all those posters in the background look familiar to any of you? Yep, it's our own little Cedar!
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Yay! My new Alamaailman Vasarat album came in the mail this week. Review will be forthcoming,( after at least three listenings!) It jumped from #74 to # 11 on the Euro World Music charts released June 1st and just look at what they said.
Outrageously brilliant stuff from the trombone, cellos and drums of Alamaailman Vasarat. Like a Scandinavian Viking posse playing the music of Frank Zappa, it’s perhaps not for the faint-hearted, but who needs the faint-hearted in these times of global collapse, impending apocalypse and endemic stupidity? Adding to the sonic soup is ghostly theremin and the mighty tubax, evidently a contrabass sax built specially for the band. The album is inspired by the long-dead and almost entirely unknown Finnish explorer/botanist Huuro Kolkko. Essential.
Did you get that "essential"?? Martin Gordon ( the guy who writes the descriptions for the world music chart) doesn't call anything essential. He must really like this disc. Can't wait! In the meantime, here's a photo of their mighty Tubax player Stakula on tour in Japan. And he does look a little like Totoro, doesn't he?
The Northwest has long been a source of good music, even before Nirvana made "Seattle" synonymous with "grunge rock." More recently, bands such as Fleet Foxes, Blitzen Trapper and The Decemberists have brought certain shared features to music from that region, such as an emphasis on melody and harmony (over rhythm), lush arrangements, and lots of lyric references to nature.
Those qualities can also be found in the Portland, Oregon-based artists that are coming to The Cedar this coming Thursday evening (6/4). Laura Gibson brings a haunting voice and delicate sensibility to darker topics on her latest recording, Beast of Seasons. She's a favorite with the good folks over at NPR Music, in fact she inspired a very cool new feature on their website called Tiny Desk Concerts. Here's Laura's:
Laura will be performing with members of the opening band, Musée Mécanique, whose debut CD Hold This Ghost was one of my favorite releases of 2008. Both of these CD's were produced by the talented Tucker Martine, who was also responsible for (producing, recording and mixing) the extraordinary new Decemberists release, The Hazards of Love. Martine is one of those rare producers that seems to work wonders on every project which he is involved.
One of the many things I really love about the Cedar is that the room can rock with the loudest stuff Hoven Droven or Zebulon Pike can throw at it, or be as silent and respectful as an intimate country church. We had the church thing going Monday night at Rachael Unthank and the Winterset and it was SO WONDERFUL. Their music has lots of "white space" in it, and you really could've heard that proverbial pin drop in the silences between notes. No talking, no coughing, just less than a hundred lucky folks hanging onto every note. Racheal has a great lower vocal range, and sister Becky is possessed of an unusual, almost "fuzzy" voice, fuzzy in the sense that it sounds like she's singing two notes at once sometimes. And the harmonies, ah, the harmonies. Especially when their fiddler added her voice...I'm sure I wasn't the only one in minor key vocal harmony heaven Monday evening.
Becasuse their piano palyer messed up on her visa and their road manager was filling in, their set was not quite what was planned. We were lucky enough to hear several public debuts of material for their next album and lots of acappela stuff. Becky warned us before one the new tunes "It might come off all pear shaped." Then they had to translate that from Geordie-speak. It means messed up, wrong. The tune was so NOT pear-shaped.
Don't just go to Newcastle for the brown ale.
More Geordie-speak: Yem = home Hinny = loved one Bairn = child Geordie - someone from Newcastle
The Unthank sisters were quite funny and charming after the show when some of us asked them if there are any happy songs about mining. Racheal sang a bit of "My Lad's a Canny Lad" then decided it really wasn't happy either, so no, there are not. They also loved that Cedar green room. Quote: "You could go on holiday for a week in there."
Thanks Winterset for making my Monday and hope to get you a bigger (lucky, quiet) crowd next time!
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Talking Tamil
You gotta just love M.I.A. Not only is she the queen of the multinational monosyllabic hook, not only does she sample the best ethnic percussion out there, not only is she respected by pretty much every artist whose work I admire, she's taking time from being with that new baby to send out information on the Tamil perspective of what's going on in Sri Lanka to about a million of her "friends" on MySpace.
Two days in the news of "Tamils are wading across a lagoon to reach the safe zone" and that's all we hear about the latest between the Sinhalese and Tamils in Sri Lanka. Here's what the daughter of a Tamil "rebel" has to say about it, as of last week.
(from www.dictionary.com): love⋅ly –adjective 1. charmingly or exquisitely beautiful: a lovely flower. 2. having a beauty that appeals to the heart or mind as well as to the eye, as a person or a face. 3. delightful; highly pleasing: to have a lovely time. 4. of a great moral or spiritual beauty: a lovely character.
(from my weekend): 1. The weather Yesterday...Mostly sunny. Highs 65 to 70. East winds 10 mph. Today...Mostly sunny. Highs 70 to 75. East winds 10 mph. Memorial Day...Partly cloudy. Highs 75 to 80. Southeast winds 10 to 15 mph.
2. The view from here:
3. LeBron, Friday night:
4. How it will end (Monday night, 5/25, at The Cedar):
In just a few short days this past week, my entire external reality has changed. No more fast internet, no more long commutes to listen intently to the latest downloads and podcasts ...yep, I've moved to the farm for the summer. My IPod is getting dusty and my hands are getting callused. No more life in the south Minneapolis fast lane; it's all about the lush green world of western Wisconsin. It's time to rusticate.
This move, by necessity, means that some of my blogging for the next little while will be a bit less based on the latest online updates and bit more based on ....hmm... imagination? Wishful thinking? We'll see.
So in the Hey, Don't We Know These Guys Department, dj Blanche from KFAI's Fubar Omniverse tipped me off that some folks familiar to Nordic Roots Fest fans are coming over next month to play at the Nisswa Stammen, up north there in Nisswa, which is somewhere past Brainerd. Do these faces look familiar? It's Esko and Tuomas from Frigg, along with their pal Sara Puljula, who actually plays on most of the Frigg albums as well as about a million other projects, but played at the Cedar with Gjallarhorn way back about five or six festivals ago. Their group for Nisswa is called Esko, Tuomas & Sara. Who thought of that catchy name, Esko??? Anyway, it's to be a fiddle/guitar/bass thing up there in Nisswa.
Front Porch Listening
Several months ago, I picked up Terakaft's ("The Caravan") album Akh Issudar ("Milk is Survival"), just because of the cover photo. Anything with Tuareg-looking guys standing in the desert with Stratocasters, I'm there. On first listen, I thought, "Not as rocking as Tinariwen, hooks aren't good as Toumast," and set it aside for a while. Picking it up again, I'm really appreciating the understated charm of this disc. While it does share some writing credits with some members of Tinariwen, the sound is more spare. The male vocal harmonies are sure and confident, and the guitars rock when they need to, then hold back to show off intricate fingerwork. Tunes like the closer "Tahra a Issasnanane" are just elegant in their simplicity. Cranking it in the earbuds while watering plants outside in the wind today, I decided this would make some really nice front porch listening. Sounds like summer, and you should be relaxing somewhere cool and comfy to enjoy the subtleness.
Pitchfork gave it a 7.8 and you can listen to some samples there. Rootsworld says it will hypnotize you. The Independent gave it 4 out of 5 stars. Glad I came back for a listen. Just goes to show, you should never really review a disc until you've listened to it carefully at least three times. Hey hey, and look, they have a live recording available for download next week! (Details on their MySpace at the link above.)
See you at Rachael Unthank on Monday! (Talk about subtle and understated...is there such a thing as minimalist North of England folk music?)
Longtime Cedar patrons are used to us going 'dark' in the summer months - largely in part to the over abundance of live outdoor music and the 'not so good' air conditioning unit in the Cedar. This year we are taking to the patio with our programming and present the first annual, Cedar Outdoors concert series. Every Thursday from July 2nd to August 27th you can enjoy a local/regional artist perform two sets on our patio. We will pair the tunes with a different beer special each week from our fantastic local beer makers. The concerts are free to the public and patrons of all ages are welcome. 6pm-10pm, Thursdays this summer. Band/beer specials can be found posted on this blog, thecedar.org, myspace.com/thecedarculturalcenter and twitter.com/TheCedar We'll be posting/annoucing the line-up in the coming weeks.
Some of you may have heard me on the radio this past Thursday, on MPR's Art Hounds, where local arts folks talk about upcoming events that they are excited about but not directly related to their own work. This is a great feature that arts reporter Chris Roberts does weekly. So if you are not interested in one of the two mid-week offerings at The Cedar this coming Wednesday and Thursday night... Wednesday with the indy/ambient duo Windy & Carl
The first is the better known, having collaborated with Björk and an upcoming Cedar band, Grizzly Bear on their brand new CD, Veckatimest. His name is Nico Muhly. Oh, and he's had commissions by American Ballet Theatre, Metropolitan Opera, Paris Opera Ballet, and English National Opera, just to do a little name-dropping. He'll be world premiering two new pieces with violist Nadia Sirota.
And if that wasn't high enough on the hip factor, the second artist is Son Lux, which is musician composer Ryan Lott, who was voted Best New Artist of 2008 by the folks at NPR Music for his extraordinary debut recording, At War with Walls and Mazes, which he will be performing pieces from, with dancers and a "3-D visual instrumentalist." Ryan says on his own blog, "I sort of wish I could be in the audience to watch this one."
This is fully cross-pollinated music, living between contemporary classical, indy rock, and electronica. In other words, file under: who cares, it's really cool stuff.
Making plans for this weekend? Think you might want to go see some music? You are in luck. In fact, it might be hard not to see music this weekend. The West Bank will be hopping as usual, and Northeast's Art-a-Whirl will be in full tilt with art and music galore. Here is just a brief list of possibilities. I will let you do the choosing.
Map quiz time! We're going to check out a few of the countries shown here in green. Not England or Italy or Slovakia, though.)
Let's pick a site in Sweden famous for its fiddling history. How about Bingsjö, site of a midsummer fiddlers festival for forty years and of a tradition going back centuries. Nowadays, it's famous for jams going all night through the midnight sun until morning. OK, I am trying to find a nice photo from the festival or at least of picturesque Dalarna, the state in which it is located, but you know what I get when I Google "Swedish traditional fiddler image?" A photo of the Carolina Chocolate Drops!! Wow, they do get around, but I don't think any of those guys are Swedish...
So here's some real old time fiddling.
Now, think of a place in Bulgaria where the traditional womens' harmony singing comes from. Maybe the Rhodope Mountains near the border with Greece and Turkey, where ruins of old fortresses dot the mountaintops.
Draw a line between those two historical music wonder sites, and you'll end up somewhere in Poland, a place where mind bending dark fiddling butts against spine-tingling womens' vocal harmonies in the amazing Warsaw Village band. Guess what? They're coming back to see us at the Cedar! Put Thursday, October 29 on your calendar and plan to come check out WVB with the Cedar's better than ever sound system. To those who missed their appearance a few years ago, I would recommend this band to lovers of Scandinavian fiddling and of women's close harmony singing. Since we can't go out in Warsaw's Old Town tonight, read more about the band in the big fat review I wrote of their most recent album on the 12/31/08 version of this very blog.
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Don't you hate it when...you get all excited about a band that is new to you and rush to their website or MySpace only to discover that they played in our very town the day before!!! There I was last week rocking out to a mix thoughtfully provided by our own Angel of Rock as I drove around making deliveries in a big, big truck. I was extremely captivated by the tune "Three Shades" by the band Nomo from Ann Arbor, Michigan. Their spot-on Afro-beat-ish horns atop the loops of groovy chiming percussion (created on homemade junk gamelons, I found out) held down by driving real percussion had me hitting that repeat button. But really, when I got home and looked them up, they had played a show at the U of M the day before and done some radio in-studios at Radio K and the Current. The Angel of Rock said "It was fun. I have mentioned to Rob that they should be at the Cedar next time...and a few people mentioned it to me too."
Yeah! Let's get these guys into our house next time around. Here's a Pitchfork review of their new disc Invisible Cities.
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Last but not least, remember how I was so into the Greek remixes of old 50's vocal artists by Imam Baldi? Turns out I'm not the only one who fell under that spell. The Iman Baldi big band is playing at the huge Roskilde Fest in Denmark in July, and dj Charlie Gillett on BBC's World Service has been mixing sets around some of their tracks on "The Sound of the World" Show. A listener on their forum thought "O Pasatempos" tune's background as follows:
The original 'Pasatempos' is by Yorgos Yannakopoulos and Manolis Chiotis (pronounced Jiotis, if you have started the Spanish course), sung in its most popular version by Yota Lydia, I think.
Well, I tried to find a photo of her, but all the links seem to want to show me Yoda instead. Let's imagine her looking something like this and call it a night, OK?
Long time patrons and the exceptionally observant, may have noticed that The Cedar’s calendar is often empty on Mondays and Tuesdays. But that doesn’t mean the hall is dark and quiet. Far from it, in fact. On Monday mornings, while the neighborhood sleeps, preparations begin for a weekly pancake breakfast and bingo tournament for local group Swingin’ Senior Singles. Not only do people fall in love with Cedar performers, romances flourishes over maple syrup and bingo cards. That piano on stage comes in handy for the impromptu serenades of those falling head-over-heels.
After a major clean up, the hall floor is cleared to make way for the weekly face-off between Cedar staff and staff members at the Nomad World Pub.
“Those guys over at the Nomad have way too much time to practice Bocce ball, so we play badminton instead,” said former Cedar Intern Sam Johnson “Over here at The Cedar, we know our way around a racquet.”
Losers buy the winners dinner at nearby Chai’s Thai while the hapless MVP mops up the sweat and tears on The Cedar’s floor. After packed weekends, staff members at both venues are ready to blow off a little steam. Behind the closed doors, both teams holler along to “Eye of the Tiger” and Billy Joel’s “We Didn’t Start the Fire.”
Following the sporting event, the building slumbers until Tuesday afternoon when things really get interesting. A double booking results in Soccer Mom Cocktail Hour being forced to share the space with Advanced Motorcycle Maintenance, a rough looking class that has spilled over from The Joint and Psycho Suzie’s. It was uncomfortable for everyone at first, but has now resulted in unexpected kinship.
“Both groups have a lot we can share with each other,” said Rocky, local motorcycle maniac. “They taught us time management and what roads to avoid during rush hour and we taught them to toughen up and take no prisoners.”
They also bond over their confusion and disapproval of kids on tall bikes.
Now that you know what goes on at The Cedar on Mondays and Tuesdays, you can find out what goes on during the rest of the week at www.thecedar.org.
Usually I post on Tuesdays, but this is an important announcement from the internal workings department of The Cedar. We are now on Twitter. If you want daily updates, if not hourly updates, real time updates or just friendly updates, please visit us at: www.twitter.com/TheCedar
I've news and a free download from long lost Cornershop, the tale of insect-collection-inpired concept album from Alamaailman Vasarat, musings about metal shows I wonder if I can stay up late enough for and much, much more this week.
First off, IT'S PINK! For all you non-local readers, we did get our sassy revamped marquee lit up a couple of weeks back, and isn't it pretty?
Of course, the neighbors across Cedar Avenue called the next day and wanted to make sure we didn't leave it on all night shining in their windows, and all the fire trucks arriving for the fire in the tower apartments next door were rubbernecking at the fire dancers performing at our little celebration, but it's all good now.
And in the "How'd She DO That Department, how about that Dobet Gnahore? In case you missed this one, HOLY COW can she do impossible things with her hips and legs and whew. The girl can DANCE ...and sing and play percussion. Here's a quick little vid of her from a couple years ago in Amsterdam. She's even better now...she was doing all these moves in jeans and cowboy boots here the other night!
You know how it goes, you're just going to look up one thing on one band's website, and six links later, you're pondering the black metal options playing at the Roskilde Festival this summer ...and it's way past bedtime on a work night. And how much would those tickets to Denmark really cost? I think that particular online journey started at the Alamaailman Vasarat ("Hammers of the Underworld") webpage, reading about their new release Huuro Kolkko. To those not familar with this Finnish cello-trombone-organ-grunge-with-lots-of-tempo-and-key-changes band, they describe themselves as "a Finnish group playing kebab-kosher-jazz-film-traffic-
punk-music with a unique Scandinavian acoustic touch." It's complex and fun listening, but one does have to be in the mood.
Anyway, their new disc was inspired by and named after the guy who made these insect collections, an intrepid Finnish exploreer from the early 1900s. We get the whole story of his travels, from tropical islands discovered to his mysterious demise, presumably in Morocco somewhere in the nine tunes on the disc. We also get the recording debut of their new brass toy, the Tubax, a very VERY low end sax. Contrabass is the word here. Read all about it at their website. Then notice the Tubax in this photo. Whoa!
So of course, I am hot on the trail of this recording, being a bit of a Hammerhead and a big fan of their earlier work like 2007's Mahaan and their 2000 debut Vasaraasia. (Vasaraasia being the name of the mythical continent ("Hammer Asia") where their music comes from.) I email them to ask about a download or U.S. source. No download yet and neither of the U.S. sources has it listed on their website yet. Sigh. Back in the day, I used to up and order stuff from Finland once in a while. You know, now with the credit card companies charging extra for every little overseas transaction and all, I was kinda hoping for something easier. You can give the tunes a listen at their Myspace, and I'll keep bugging that company that's supposed to have it over here.
While poking around the Roskilde site because Alamaailman Vasarat is playing there, I read up on the metal band Wolves in the Throne Room. ["Nature-embracing Black Metal"] Why is that name familiar? Is it just because Cedar Operations Manager Dave P. highly recommends that 18 minute long track on their first album? Wait! Aren't they coming to town soon? Why, yes. They are hitting the Triple Rock down the street in a couple a weeks, Friday May 15. In an inspired - and LOUD -pairing, support will be provided by the mighty Zebulon Pike, in which you can see Happy Apple bass monster Erik Fratzke stretch out on guitar. It's smart instrumental prog metal. Big BIG FAT power chords all around. Should be a fun night. Might want to have some earplugs along.
Final gossip tidbit. The Candyman is really back! No, not just the "Chalk" commercial from last fall, Cornershop is really back and they've got a new 7" coming out May 26. Yep, as in 7" vinyl. So throwback! Or if you hustle, you can download a remix of it for free from their website. Full length album coming hot on its heels. So polite, their email said "It would be double pleasing if you could help us get the word out too." OK, I will! But can you wrap your tongue around the name of the single? "The Roll Off Characteristics (of History in the Making)" Tjinder Singh can and he says it a lot. Sounds like classic Cornershop; sitar-enhanced, political, and groovy with some added bouncy brass. Alas, we cannot imbed the video here, but it's there at the media tab on their site.
Racheal Unthank countdown: 19 days. Memorial Day night at the Cedar. Yes, I am as psyched for this as I am for all that loud stuff.
I am very excited to tell you all that my favorite month of the year has arrived. To celebrate this wondrous occurrence, this weekend has lots in store for fans of music and the arts.
Tonight, Colin Hay will play to a packed house here at The Cedar. If you didn't manage to nab tickets to that one, I have quite the alternative for you.
Regulars to the Cedar Music Blog might recognize the name Nomo, as it graced my "best-of-2008" list, for both performances and for recordings.
And Nomo is back in the Twin Cities, playing at The Whole Music Club in the basement of Coffman Union at the University of Minnesota. Opening, is local band Military Special featuring hot keyboard licks courtesy of Cedar House Manager Charlie Smith.
Saturday night Military Special is back at it opening for Dance Band at The Cedar. More information about this show here.
While I am excited about all of these events, I am most excited for what happens on Sunday. I discovered on Wednesday night that not everyone in the Twin Cities knows about the annual May Day Parade put on by In The Heart of The Beast Puppet and Mask Theater. This is very upsetting. I hope all you readers know about the parade, but if not, please visit the links above and join in the festivities on Sunday.
It's quick and dirty, but it's FREE and that's usually a good thing.
For anyone out there, like me, who thought the Recycler remix of Warsaw Village Band's "Grey Horse" (see the 12/31/08 post on this blog) was an amazing juxtaposition of WVB's strings and Eastern vocal harmonies with some great industrial electronics, want some more of that?
Here's a site for Recycler with tracks to check out and some free downloads. Who could resist a remix titled "Five Minutes of Free Pornography?" I mean really. It kind of says something about the internet today and I'll let you decide what it that something is. There are a couple of hoops to jump through, but at least it's a Zip file. Check out "The Love Song vs Major Saab" for some heavy bangra-esqe sounds. Fun stuff.
Recycler making it happen.
I've got a sick kid here at home, so it's over and out for Mama E this week.
Next week: I will hopefully get a hold of the new Alamaailman Vasarat release and report in. An album inspired by an insect collection. Really. Hammers of the Underworld, baby!
Just thinking about this weekend makes me tired. This of course, is a good thing. To recap what Main Figurehead shared earlier, on Saturday alone at The Cedar:
If you're looking for something to do following this epic day at The Cedar, may I recommend going to see The Thermals at The Triple Rock on Sunday night? It's a late start, and there are three bands on the schedule, so even if you're planning to see Julie Fowlis at The Cedar that night, you might be able to do both!
The Thermals' music really just makes me feel good. It is guaranteed to elevate my mood, and I would be thrilled if some of you were able to share that experience. Warning: I might dance. And to anyone who might see that, I apologize in advance.
With a brand new album, their bound to play some new tunes, like this one:
but I hope we will get to hear some old favorites, too:
Here's to a weekend of warm weather, good music, fun and friends!
I'm taking a gossip column format this week, with short little blurbs about Cedar pals and other great acts from all over, largely cribbed from their own blogs.
In the family albumsection, who are these guys? Wait, they look somewhat familiar behind those goggles. And those mountains, doesn't Norway have mountains like that. And Norway is next to... Sweden and not very far at all from Ostersund, Sweden, home of old Cedar pals Hoven Droven. Look what they got up to last month!
So we had a little fun the other week. Our friend/hero/mentor/recordcompany/ex. bandbember Gustav Hylén recently turned fifty, and since Jens recently turned forty we decided we had to celebrate. We booked a show at Storulvån, a great skiing resort close to the Norwegian border. We invited Janne, our ex. organ player to join us and suddenly we had the Hoven Droven big band! Every member of Hoven Droven since 1991 on stage at the same time. One lengthy set filled with old favourites, some of wich hasn..t been played in a long time, and it was a blast! It spawned some ideas for the future...
Whee! The Hoven Droven big band hasn't played in Minneapolis in quite a long time. Sounds fun.
They really like us. Here's what the Carolina Chocolate Drops had to say about the Cedar once they got back home. Always have to get in the weather joke, though.
We then drove seven (7!!!) hours to Minneapolis to see our old friends at the Cedar. This was our third time there and each one gets better and better - they treat us so nice and the audiences are so warm! (Maybe to compensate for the chilly weather... :) )
While we were there I went to the Mill Museum to find out more about Minneapolis and went up the Flour Tower (of Power, I like to add) - who knew flour could be so interesting?? Dom saw some great music and we got to hang out a bit with John Whitehead, one of our earliest champions and a great film maker.
We really like you, too. The 'Drops just signed a contract with Nonesuch Records and plan to put out an album with them early next year. More info on their website, and oh yeah, the baby's still due late in May.
Remix as today's highest art form? Somebody wrote that last year, like maybe Sasha Frere-Jones at the New Yorker, before Lawrence Lessig wrote Remix: Making Art and Culture Thrive in a Hybrid Economy. Anyway, everybody does a remix album these days...they're cheap, can be fun, and they bridge the gap for fans while bands write new tunes. I downloaded the new Watcha Clan remix disc that came out last week, Diaspora Remixed. Yep, didn't want to wait six months. No, they haven't played here...yet, but have been featured in this blog several times (1/20/09 and 10/22/08 ) and always do great blog posts to their Myspace when they are on tour. I've have only made it through the whole thing twice, but it features fun folks at the controls like Dunkelbunt, Transglobal Underground and DJ Click. So far I'm groovin' on the EarthRise Sound System's slowed down fiddle- and kora-enhanced take on "Goumari." I'm not sure exactly what you call that type of fiddle, but it sounds more like the one the guy in Habib Koite's band plays, kinda scatchy? Lots of fun mixes here, and although the same handful of tunes are chosen by the re-mixers, there are a great variety of sounds here. Good party fodder!
Look who's coming back to town!
It was one of those shows that not many people got to, but those who did each told about ten of their closest musical friends "Wow! This was so cool. You really need to to see them next time they come to town." Yep, I'm talking about Racheal Unthank and the Winterset's show at the Cedar last September. And hey! They're coming back to see us again on Memorial Day, Monday, May 25. After hearing something like the above from at least three Cedarheads whose musical opinions matter to me, I will SO not miss them this time.
The Winterset gang hangs with their small clothes. Or tea towels.
A band I really like, about whom I've written about on this blog several times will be returning to the Cedar in late October, but I'm holding in the details until tickets are actually on sale, so maybe late next week. I'm psyched and will write more soon. For now, here is a photo of them in rehearsal this winter.
Enough gossip for now? Tune in next week for exciting free download links and other fun stuff!
We've got one of those weekends coming up at The Cedar where I'm tempted just to bring a sleeping bag for the Green Room so I don't have to leave. It starts with Friday night, April 24, where we have a unique opportunity from our Friends at the University of Minnesota's Department of Lusophone African, Portuguese, and Brazilian Studies to present an extraordinary singer from Cape Verde, Carmen Souza. This is going to be one of those special shows of a young, relatively unknown talent of extraordinary depth that only comes along every so often, and I strongly suggest not missing it. Her performance is part of an International Symposium on Popular Music Studies: African Musics of the Portuguese- and French-Speaking Worlds.
On Saturday at 2:00 pm The Cedar holds an Open Community Meeting, where we will be discussing our strategy for dealing with the economic challenges that so many arts organizations are facing in the current economic climate. Funding cuts have hit The Cedar hard in 2009, throwing a large gap into our budget and threatening our future. The Cedar's staff and Board have worked hard to develop action plans for the organization to survive, even thrive in the face of these challenges.
Later that evening, The Dakota will be presenting a special CD release concert by The Bad Plus joined by Wendy Lewis, performing music from the extraordinary For All I Care recording.
Following this show, at around 10:00 pm that night, just outside The Cedar, we will be celebrating the lighting of our newly restored marquee, with cheap drinks, fire dancers and stilt walkers! Some of us who've been with The Cedar for many years never thought we'd see the day where our historic marquee would be restored to its former glory. But thanks to support from McKnight and our patrons, we did it, providing a beacon for the avenue and an strong statement that The Cedar is indeed alive and well!
Finally, we'll close this extraordinary weekend on Sunday the 26th with another startling new vocal talent, this time from Scotland. The charming and beautiful Julie Fowlis will bring her band to The Cedar for her Twin Cities debut. Julie sings in a particularly rare form of Scottish Gaelic, and she has such a particularly sweet tone that it's hard to believe she was musically trained not as a singer but rather a wind player!
Some of you may have already seen this, but I didn’t want to risk it. David Byrne has decided to allow all his fans to see (or hear, rather) what he is listening to while on tour.
On one quick scan of the playlist shows some Yeah Yeah Yeahs, Caetano Veloso, The Bird and the Bee, Fever Ray, Bon Iver (who joined Sarah Siskind on stage at The Cedar last weekend) and a couple of other artists that have been through The Cedar: St. Vincent and El Perro Del Mar. A few names I don’t recognize, and so far I have yet to hear anything I don’t like.
The idea itself is not so unusual; Other bands blog about what they listen to on the road, so maybe this doesn’t interest you. Personally, I am thoroughly enjoying it. Try it out for yourself here.
Once upon a time I made a sort of pledge to myself that I wasn't interested in techno any more. I only planned to listen to bands that played real music on real instruments. Don't ask me why...it was a long time ago, like before cds, OK? WAY before solo MacBook concerts. Obviously, I'm down with the techno in the 21st century; I love some well done electronics with my world music. It became clear to me while listening to Żywiołak for this review, however, how almost everything I listen to now is electronically enhanced in some way- and their cd Nowa Ex-Tradycja is SO not.
It's not just that there are not a whole lot of effects on the recording (Well, they do like their distortion pedals), and other than one remix, there are not really many beats or samples either. This may sound weird, but in these times this feels somehow clean, as well as the primal and raw feel I imagine they were seeking .
This is a record to let your inner pagan cut loose. It's crazed dancing around the giant flames under the big sky out there on the wild steppes. It's the Old Believers in the mountains where the Teutonic knights didn't quite manage to convert everyone to Catholicism. Hey , there's still some wilderness in Poland.
It's big slabs of guitar, grinding hurdy gurdy, throbbing bass and big drums versus female vocal harmonies that can scream like Hedningarna's wildest songs on Tra or make nice like the most delicate recordings Vartinna ever did. And whoa, these two women, Anucha Piotrowska and Iza Byrahave some pipes! (Byra is on maternity leave and Monika Szadkowska is who you'll see in most of their recent YouTubes.)
The tension between restraint and exhuberant excess is well handled. "Ой Ти, Петре, Петре" (I'm translating this as "Oh You , Peter, Peter" with my limited Russian; it's a folk tune from Ukraine) is a aching lament (I think) elegant in its simplicity, the vocals barely augmented by a low background drone and what I think is a willow flute. When the vocal harmonies enter at the very end for just one line, the effect is haunting. This song captures that big open sky sound somehow...as if nature is huge and unimaginably powerful and human lives are tiny blips.
"Oko Dybuka," in contrast, alternates screamed female and gutteral male vocals with chunky distorted guitars. This video of Dybuka is a little sanitized compared to the album sound; looks like it was filmed in a threatre for aTV show, perhaps. Anyway, it's fun to watch the vocalists get into it, but vids of their club shows are a little wilder.
According to their website, the name "Żywiołak" (Were-Upheaval, Were-Element) has no direct meaning, it's no name of any mythical character. It's just a word-game which is common in contemporary Slavic-type literature. Such words are to be found in book of beasts of Polish issues of RPGs, in poetry of Boleslaw Lesmian , or in artworks of modern generation.
They take on a Polish folk tune which may sound familiar to Warsaw Village Band fans, who called it "Who Is Getting Married" on their 2004 release People's Spring. Żywiołak calls it "Femina" and pulls out the distortion pedal rather than the lighter jews harp treatment WVB went for. An empowering song for all you gals who want to play music, dance and cut down trees (I think) instead of getting tied down. Shortly thereafter, on "Oj Ty Janie Sobótkowy," the hurdy is uncharacteristically restrained and the throbbing bass is replaced by a plucked mandola, leaving plenty of room for the delicate vocals.
It is impossible to ignore the Hedningarna influence, so why try? It's no secret multi-instrumentalist and co-founder Robert Jaworski is a huge fan of our old pals from Sweden and this recording pays homage to that sound. If you love getting primal with your old Hedningarna discs, Nowa Ex-Tradycja breathes new life into the bio-metal / heavy folk genre.
As WVB fiddler Wojtek Krzak said when he received the band's Best Newcomer award from the BBC in 2004 "Beauty and identity is still in the roots." I think this applies to Żywiołak as well. They are mining a deep vein of folklore that still, 20 years after the Iron Curtain came down, is so unknown to the West. They are keeping it real to the Slavic cultural identity, and showcasing an elegant timeless beauty amidst their distortion and noise.
Who knows if these guys will ever cross the pond, but they sure would be fun to get primeval with in a dark sweaty club, no? When I hear back from Poland I'll report about how it might be possible to obtain their discs or downloads over here.
I was pretty excited for doing some of that primeval rockin' after hearing that Swiss Pagan Metal faves Eluveitie were co-headling Paganfest this year, and that the tour included a stop in St. Paul next month. But now Paganfest is still coming, but they're not. I am bummed. See what we're missing?
I was planning to go all rock in my old age and attend Paganfest late into the night just before getting up at 4 a.m. to work the Farmers Market. Without Eluveitie on board, it's probably not thatimportant to me. Here' s the word from their web site.
We are very sorry to announce that we will not be able to make it to this years edition of Paganfest USA after all. We would like to make clear that this was in no way the decision of the band and that we all were looking forward to do this tour a lot. Also we are working on a replacement tour within 2009 where we'll hopefully also be able to play a special showcase featuring songs off our upcoming acoustic release "Evocation I: The Arcane Dominion" (due April 11th). We will be back for sure 'cause you guys truly rock and we did not forget the warm welcome we've received on Paganfest I & Death By Decibels!
There you have it. Let's hope for the two set loud plus acoustic tour of their hurdy/fiddle/gaida- driven metal sound coming through our town this fall!
Don't be mad Mama E Dub. I will write about Kasbah rockers, just not tonight. Tonight there are more pressing matters at hand. Namely, some extreme 90s nostalgia.
"Speaking as a child of the 90s..." mutters Eddie Vedder on Pearl Jam's "Habit." Technically, I am not a child of the 90s, but, I tended to identify more with that decade than the neon, leg warmers, and synth of my own.
My first musical memory involves listening to my Dad singing Pearl Jam in the kitchen, and I've pretty much been wrapped up in grunge music ever since. While I wouldn't say I listen to it on a daily or even weekly basis, over the years it has become more like a comfort food than anything else.
I never quite fit the typical fan demographic. In fact, the first time I went to see Pearl Jam perform live (at the Fargodome in Fargo, ND), the woman running the lights pulled my family aside after the show and gave us the set list. I don't remember her exact words, but they were something along the lines of her being impressed that a) we were not frat boys and that b) we knew all the words to "Keep on Rocking in the Free World," which they played as an encore. But I digress. I never fit the fan demographic, so I tend to get a little (read: a lot) overexcited when I discover another non-traditional grunge fan. Let me tell you, I have not found many.
However, in the past month I have discovered three! Amazing, I know. Not only that, a coworker was spotted wearing an Alice in Chains T-shirt at the recent (and amazing) Alice Russell show at The Cedar. I was on to something! Ahead of the curve! Predicting the next big thing! That is until I opened the Rolling Stone magazine my roommate had abandoned on our kitchen table and found an article about nothing other than, you guessed it, nineties nostalgia.
This, which was released sometime in last couple weeks, probably has something to do with it.
Ah well.
In other news, Eddie Vedder recently announced a solo tour on which Liam Finn will be opening. Finn's performance at The Cedar last year, opening for Laura Viers, was one of my favorites and I hope we'll see him again in the future.
Yeah, he fainted because the stuffed eggplant was so good goes the story, but I'm not talking about traditional hotdish. I'm talking about traditional old vinyl from the 40's, 50's and 60's in the hands of the Falireas brothers, Orestis and Lysandros, who as Martin Gordon on the Euro World Music charts says "took a bunch of samples from old Greek and Balkan tunes, chopped them up, added their instrumentation and the result was in the Greek charts for almost 2 years."
Here's the hotdish joke explained for you non-eggplant lovers, courtesy of the blog of someone named Anna at Mog.com.
Imam Baildi is a traditional Greek eggplant dish; Greeks of Istanbul created this recipe (hence the Turkish name) many many years back. [A translation of the name would be "The Imam fainted." ]
Imam Baildi is also a band, or a project, however you may prefer to call it, by two brothers, Orestis and Lysandros Falireas.
According to their website, "It is named after the dish because, just like we mix many different ingredients together to cook the dish, these lads mixed old Greek tunes they fancy from their father’s collection of 78rpm gramophone records with electronic sonical flavours & produced an album using samples from Greek tunes from the 40’s, 50’s and 60’s.
"The idea was to bring forward some of these forgotten gems from Greek artists of the past century and blend them with modern sounds and rhythm into something new and unique. It took a lot of experimentation and loads of time and effort because what we most feared was ending up with a cheap sounding boxy beat over an old sample pattern. We focused on truly blending old and new, in bringing every addition under the old recordings’ skin".
Here's a fun interview with the brothers from the website of the Turkish newspaper Today's Zaman. Here's a longer interview from SpinEarth.tv about how they choose what to sample and about how the live version of the band came together.
Keeping it anonymous and respecting the vinyl
Sounds like great stuff for those of us in Boom Pam nation and lovers of other Balkan mixers and mashers like Shantel, the Balkan Beats crew and Balkan Beat Box. Don't expect every tune to be a crazy dance mix, however. Many of them are actually more of a chill tempo, which works perfectly with the throaty 50's lounge singers they are sampling. Who were these women?
Actually, the more I listen, the more I appreciate these guys' deft hands on the controls. There are not any big slamming beats; it's handled with just the right amount of new sounds on top of the crackling old 78s, similar to what dj Click does with his old vinyl and new worldwide sounds. Some tunes the sample is the whole vocal line, and others it's just a small instrumental piece and they build around it.
Not so into the video, but check out this tune "Samba Clarina." Love that sample at the beginning.
This is a bit more like it. Live at the Guru bar in downtown Athens. Sounds kind of traditional brassy until they kick in the old sample beats about 40 seconds in. I think this is more the sound of their live "big band" and the albums are more of the old samples.
But, how to obtain such a recording? This may take some work. The link at the World charts is not good. Missing a letter. I find the company. Not up to date, not listing this artist. Most of the press on their Myspace is in Greek. The record label on their Myspace sends me back to their Myspace. OK, I found a free download. I think. We really need a new router over here. But I would buy this. Really. If I could find it anywhere.
Well this is funny. Somebody else out there in the blogosphere called "Albums Everyone Should Own" had fun with this and directed me to the free download. He says:
"My good friend Becky is Greek and I gave it to her to play for her Grandma and Aunt. It ended up as an old lady dance party at her house…and I expect it would spark a kind of dance party anywhere. Whether its the moody ‘Samba Clarina’ you see above, or the intensely catchy ’O Pasatempos’ on top, Imam Baildi shows that the recipe started by St Germain can easily be applied to all kinds of world music."
Can't beat "old lady dance party!" But it's a .RAR file, not a Zip, so I had to download some software to unzip the thing. Quite a journey around the internet, but I am cranking "Samba Clarina" as we speak from my own ITunes, so it's all good now. I'm pretty sure this is a download of their first disc, from 2007. All but two of the song titles are in the Greek alphabet with this download, which came through as gobbledegook, but I found a playlist with Arabic letters to copy at music-bazar.com. Now you, too, will soon be slinking around your living room to "De Thelo Pia Na Xanarthis." Enjoy!
* * * * * * * *
I promise next week will be devoted to hurdy-enhanced Pagan Metal, as in a review of the Żywiołak album I got in the mail last month as well as wondering by Eluveitie won't be on the Paganfest II tour this spring. (But they are hoping to do a U.S. tour in the fall with acoustic as well as metal sets. Yeah!!)
The Cedar Cultural Center is a non-profit music venue in Minneapolis. The Cedar’s staff and their friends hear a lot of music and not just at The Cedar. We scour web reviews, attend all kinds of concerts, and watch YouTube music videos. We talk about music. We fight about music. It can get a little ridiculous.
This blog is an outlet for our passions and hopefully a benefit to you, the reader. You can read about the newest bookings in town, album releases, concert reviews, and confessions of who rocks out to what. We also want to hear from you. That’s the great thing about an arts community: it’s communal. Check back to witness the rants, raves, and discoveries of all of our blog contributors.
somehow...as if nature is huge and unimaginably powerful and human lives are tiny blips.
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